Po dlhom case vyborna vec na pocuvanie:) vietnamske beaty Samplovane stare vinyly z vietnamu, s prijemnou atmosferou v pohodovom hiphop rytme. Take vecerne pocuvanie:) EN info () First of all lets start off with who Onra is,Onra is a Paris based hip-hop DJ who has been recoding at the REDBULL music academy in Barcelona. Now onto the album (CHINOISERIES). On a trip home to Vietnam to visit his mother and being a vinyl junky he could not pass up this opportunity in his home country to obtaining some precious vinyl. So he went on a search for classic vintage Vietnamese pop records in flee markets. He found around 30 vintage pop albums almost historical finds, some barely in playable condition, but enough to get his samples for his album. In the end his album gave a better and more defined sound to the Vietnamese finds and his own personal sound. In any song you like there is usually a part of that song you like the most over the rest of it, well Onra just decided to use the really catchy parts as his songs.with songs not exceeding three minuets On this album he combines his own made hip-pop beats laced with vintage Vietnamese pop samples from probably 30 different records he brought back from his trip. What I really like about this album is that you can hear the records in which he obtained his samples from, cracking in the background and it gives it an aged listening to old vinyl sound. One thing i didn't like about this album being that with 32 tracks you can kind of get lost at what point you are at in the record. Now as always the tracks to look out for on this album would have to be the Anthem, Clap Clap, naughty hotty, Dark sea, what up Duyet?, welcome to Viet Nam, just to name a few. But as i said there are 32 songs so you kinda have to listen to the album to find your favorites. Overall i give this album an (8/10) i thought there could be more hip-hop tracking over the samples he kinda relied to much on the samples. Tu: (v komentoch). Almost 10 years have passed since Onra arrived with the charmingly eccentric Chinoiseries LP. 32 Hip-Hop beats formed the sample-based project - dusty Chinese vinyl hissing and crackling throughout – resulting in an intriguing and spontaneous mix of the producers interest in exploring a newly-discovered style of Music with his love for classic Hip-Hop production. Electrolux dishlex dx 302 manual downloads. Using the style of analogue MPC production combined with the somewhat restrictive record sampling of strictly Chinese Music records, he has been able to be creative over three volumes, an amount of 100 instrumentals, despite the challenge of finding more obviously standout samples in Chinese music. Every instrumental on that album had it's own little soul, and while Onra is definitely trying to Go Hard on Chinoiseries, it just doesn't capture the same emotional weight as the record it's trying to reproduce. On the plus side, it's better than the more avant-Dilla imitators (ie. Biwi no 1 mp3download. The Chinoiseries projects are the type of albums that invites the listener to play it from beginning to end, in order to really enjoy the trip and appreciate the variety of rhythms and textures spread over those 32 short instrumentals. In that way, “Pt.3” is no different to its predecessors, but the originality of the samples, the curious harmonies and the odd-drum patterns still makes the album sounds as fresh as the first one. Onra finishes this epic trilogy with class as a result of extended record digging across the Far East and the producer's own development over the preceding 10 years. As a producer who has released records inspired by 80's Funk, 90's Hip-Hop and R'n'B, Electronic and even a Spiritual Jazz project, “Pt. 3” brings this stylised set to a close. Normally a man of few words, Onra has his own take on the three Volumes: I see the first Chinoiseries as a trip, inspired by my own first travel to Asia, each beat representing one particular moment of the journey, the second one, more like a soundtrack to a movie, each beat representing a different scene, and the third one, I tried to create a dark, smoky and mysterious cinematic atmosphere so you could create your own movie in your head. For this last episode, I just really wanted to have fun with this type of material for the very last time. I dug deeper than ever and I have tried to do as many different rhythm patterns as possible, from various influences like Hip-Hop (from different eras), to Bossa to Indian Music to Psych Rock, Soul, etc. And try to portray a different image of Chinese Music.
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